The Poetry of Sabne Raznik: “Following Hope” and “Linger to Look”

by on October 30th, 2010
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(The poet describes her work on February 19, 2009. Some edits have been made, such as the tentative title of her second collection has been changed to reflect the current, still tentative title.)

“Following Hope” (Xlibris, April 2007), my first collection of poetry, set the tone for the intentions of my career. A resounding effort to shatter the stereotype of what is expected of an Appalachian poet, the collection is a true celebration of multiculturalism, travel, and multimedia.

The poems therein are varied in make. There are multi-stanza poems, short meditative pieces, lyric free verse and melodic alt-forms. This is less the pastoral, ancestor-oriented work commonly associated with Appalachian literature and more the complex, interpretive and experimental lyrics of contemporary poetry as is being written throughout America and the Western world today.

The subjects are also more profound than might normally be expected. The predominate theme is that of betrayal on many levels, but mostly in the area of sexual violence and its aftermath. Also addressed is abandonment by a parent, by a lover, by nature and by life- real or perceived. The betrayal of the self is not left out of this equation. It is not a collection for the squeamish or those more comfortable with light verse and greeting card verse. These are serious pieces about deadly serious subjects.

But not all is dark. While not flinching from these indescribable experiences, the collection focuses on the ability of the human spirit to rise above such horrors: to always look for hope (a white bird always refers to hope), to refuse to remain victimised, to use these experiences to learn strength, and even to be able to open oneself up to vulnerability and relationships willingly and unfailingly loyally.

The photos peppered generously throughout the book reflect this positivism. Taken by Northern Irish photographer Jan McCullough, they are mostly clean youthful, portraits with stunning emphasis on the eyes of the models. A few were taken by myself and these are credited appropriately in the acknowledgements section. The cover photo was taken by Jessica Marshallsay quite by accident, but what a lovely accident!

The end result is a visually pleasing book that reflects the message of the poems therein. It has received glowing reviews every time it has been reviewed. These reviews can be read at my website, ( Following Hope is available everywhere online- including and Barnes and in softcover format. It is also available in hardcover if ordered directly from the publisher at As of early 2011, it is also available as an ebook at various sellers.

My second collection, still in manuscript form and not yet finalised in order to begin the publication process, is tentatively titled “Linger To Look”. It will continue the aims of stereotype breaking and take it to another level. The poems will be even more varied. There will be experimentation with syntax, concrete poetry, even shorter poems, my first attempt at blank verse, and my only attempt thus far at a performance piece.

These poems are multidimensional love songs (no sweet fairy tales here) which remain interpretive in nature and, therefore, have multiple possible meanings. These are addressed to a lover, an unrequited love, God, and the Middle East all at once. There will be a notes section which will translate phrases and words that appear throughout in a total of 11 or 12 different languages, some of them ancient. These notes will also help with references made throughout that skip all through the long and rich history of the Middle East. It will be a celebration of the Middle East, of music, photography, dance, love, loss, hope, Appalachia, and language. All of this climaxes in an eerily Irish sort of keening to full effect.

The photography of Jan McCullough will be featured once again. These will be scattered throughout, along with pencil and charcoal sketches of my own making. This time, the photos are abstracts of broken, rain-damped streets superimposed with artistic nudes. The cover will be a painting by Diana Mae Potts.

I do not know when it will be available for sale, but I can assure you it will be worth the wait. The interpretations of my work given in this article are subjective and merely one way of perceiving it. I believe it is the perogative of the reader to apply it to their individual situations as it suits them

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